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Currently Belinda is making her first sculptural piece with the assistance of sculptor/fabricator Jeph Neil. The photos show the various stages of production with the final bronze object to be cast by Coates and Wood foundry and to be exhibited as part of the Melbourne Art Fair exhibition 'Everything was beautiful and nothing hurt' 2008. Final images available soon!

Fremantle Artist in Residency 2007

In late 2007 Belinda undertook a month long artist in residency at the Fremantle Art Centre in Western Australia. The photos attached show the progression of the project. The final works and exhibtion can be seen in the WORKS page.

Crown Casino, Macau 2007

Late 2006 Belinda was commissioned by the new Crown Casino in Macau to produce nine original artworks for the VIP gaming areas. Positive images of Lotus flowers, the auspicious Phoenix bird, and mountain settings are key features of this series. ‘The aim was to provide the guests with good energy and beautiful icons based on Asian cultures that would harmonies with the architectural design’.


Tibet 2006

In May/June 2006 Belinda traveled to Beijing and Far Western Tibet. The first 5 days were spent in Beijing exploring historical sites and contemporary art galleries. From Beijing the tour flew to Lhasa the capital of Tibet . After fours days of acclimatizing and sight seeing in Lhasa the journey of traveling west by 4wd began. The amazing trip traveled to the sacred mountain of Kailas and further west to the ancient ruins of the Guge Kingdom . On the return trip the tour stopped at the Everest Base Camp. On the whole it was a diverse, hard traveling but an incredibly inspiring tour.

Singapore Tyler Print Institute 2006

Following the journey to Tibet , Belinda spent the month of July at the Singapore Tyler Print Institute making art work for the first two weeks and working as a printer for the final two weeks of her residency. The first two weeks Belinda was given a guest workshop to make her own images. All printmaking techniques were at her disposal, however she decided to focus on the flocking technique. For the artist this was a great new technique to learn whilst at the STPI. The two weeks were very productive having completed seven images (that reflect her travels to Tibet ) and a start on a major installation that will be launched at the Mildura Art Centre in June 2007. For a sneak peak on the images created go to WORKS page. The final two weeks were equally inspiring and rewarding for the artist working as a guest printer with the STPI team on a major project with famous Korean Artist Chun Kwang Young. Mr. Chun was in the STPI studio for three weeks publishing a number of paper pulp images and a series of monotype etchings. The etchings which Belinda collaborated on were the largest single panel images the STPI have done to date and certainly the largest Belinda had even printed too! Being 2.5 meters large (the copper plate) the project was quite an experience to say the least. Mr. Chun was also the most internationally acclaimed artist Belinda has worked with to date and the opportunity to work with such an accomplished artist was a great honor. Working alongside the fantastic printing team at STPI was also a great experience, during her stay many ideas, techniques and tricks were shared and exchanged. In September the images will be launched at the STPI gallery. For more info go to: www.stpi.com.sg

Printer and Artist Exchange 2004

In 2004 Belinda initiated an ambitious publishing project that bought together the prestigious Crown Point Press, USA , Australian artist Dorothy Napangardi and Gallery Gondwana, Australia . The project brought master printer Dena Schuckit of Crown Point Press to Australia for the first time to work with Dorothy Napangardi on a series of images that were published by Crown Point Press and Gallery Gondwana. Both Dena and Belinda worked with Dorothy to produce the plates at the National Art School in Sydney . Thereafter the plates were sent to USA to be editioned at the Crown Point Press studios. In turn Dorothy (for her first time) and Belinda (with funding from the Ian Potter Cultural Trust) traveled to the USA to complete the project. This was the first time Crown Point Press had worked with an Australian artist. These amazing images were launched in both countries with great success. To read more about the project go to the Text page to read Sue Forster’s article from the Imprint magazine. You can also go to www.crownpoint.com or www.gallerygondwana.com.au for more info on the images produced.

Port Jackson Press Australia

For six years Belinda worked as the workshop manager of the renowned publishing house Port Jackson Press Australia (1999 -2005). During those years Belinda was privileged to work alongside many great artists including John Olsen, Tim Storrier, David Larwill, Christine Johnson, Rona Green, Susan Pickering, Margie Sheppard, Mark Schaller, and Robert Jacks to name a few. Although there were many, below are two highlights of her time with the company:

2005 publishing project with Port Jackson Press Australia

In 2005 Belinda made a series of three images for Port Jackson Press as an artist. This was her sixth publishing project with the company. It was a great pleasure for Belinda to collaborate as an artist with fellow printers Sophia Szilagyi and Trent Walter on this series of images.

Seaport of Desire publishing project 2002

In 2002 as the workshop manager of Port Jackson Press Australia , Belinda traveled with art manager and writer Ken McGregor and printer John Neeson to conduct a publishing project with senior Australian artist John Olsen. At John Olsen’s home studio we set up a make-shift studio where he produced 7 images that depicted his beloved city of Sydney and his memories of the place. For two weeks both Belinda and John Neeson collaborated with John Olsen to make some of the most ambitious prints the artist had made in recent years. The series was launched in Sydney and Melbourne to great acclaim. To find out more information about the suite go to www.portjacksonpress.com.au or read ‘Teeming with Life’ by Ken McGregor.

Summer Workshop at Crown Point Press, and workshop tour in the USA , 2002

In 2002 Belinda traveled to the USA for three weeks with Australian curator Kirsten Rann to explore the prestigious print studios in New York , LA , and San Francisco . The trip included visits to Pace Editions, ULAE, Two Palms Press, Gemini G.E.L and Crown Point Press where Belinda spent five days during their annual summer workshop. The workshop afforded Belinda time and the opportunity to make a new series of prints (see recent editions page) and learn new techniques from the master printers at the press. To find out more info on summer workshops at Crown Point Press go to: www.crownpoint.com

Mentorship at Basil Hall Editions 2000

In 2000 Belinda traveled for the first time to Darwin to undertake a mentorship residency at Basil Hall Editions (with funding from Arts Victoria). For three weeks Belinda worked alongside master printer Basil Hall and artists Banduk Marika, Dorothy Napangardi, and local artists from the Daily River community in NT. The mentorship allowed Belinda to learn valuable skills from a master printer and experience first hand the indigenous printmaking scene in Australia . To find out more about Basil Hall go to: www.basilhalleditions.com.au

Stage 1) Cardboard model for bronze sculpture

Stage 2) Silicon mould being poured for sculpture.

Stage 3) Wax cast made and polished for final bronze casting.

Backwards-Forwards installation 2007, Fremantle Arts Centre, WA.

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